There are many methods an actor may choose to study. There is Stanislavski, Meisner, Adler, Alexander, Hagen, Strasberg, that random British director you met in college who changed your life, that Spanish actor you watched in that play who has been your entire inspiration, etc. What do all of these methods really do for the actor's instrument? Is there a method that works best for you? Which one s... (MORE)
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